Rian Johnson sets out at the rhythm of his own drum to solve the mystery of how to make a sequel to a film like Knives Out.
Author: José Díaz
With solid performances by Chastain and Redmayne, The Good Nurse is a true crime thriller focused on stopping a serial killer, not so much on shocking its audience.
Do not trust the title, because Michael Myers will live, though with films like this, he and the franchise do really deserve to get the chop.
Roberts and Clooney manage to make a charming film out of a story of a divorced couple who join to try and ruin the wedding of their daughter in Ticket to Paradise.
Queen sang that pain was close to pleasure, but there are not many reasons to enjoy this achingly dull entry in the exhausted Hellraiser franchise.
With a magnificent performance by Ana de Armas, Blonde is a horrific account of Marilyn Monroe’s life and the darkness behind her stardom.
Not as sharp as the witty Knives Out, or as bold as Hercules Poirot’s mustache, See How They Run ends up being a breezy, yet serviceable, whodunit.
Not even a visit from the Blue Fairy, would make this film feel human, as Robert Zemeckis’ Pinocchio is too soulless to convey any kind of emotion.
Despite not fully living up to its initial premise, George Miller’s latest is a visually mesmerising, original film that is as beautiful as divisive.
Yes, Idris Elba punches a wild lion in the face. More things also happen in the by-the-numbers, yet breezy Beast, directed by Baltasar Kormákur.
The Neurotic Cinephile 
You must be logged in to post a comment.